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To us, it’s not about the programs you use to create a certain look (though companies will tell you otherwise), but about you as a storyteller and how you push past the limitations of your own creativity to champion something worth showing. But keep in mind we don’t use just Red Giant or Blackmagic Design in our workflows, we’ve also used tools from NewBlue FX, Boris FX, and many others as well. Blackmagic Design does offer a free Lite version of DaVinci Resolve, and we do suggest grabbing it – heck, it’s free. We got our hands on the Magic Bullet Suite sooner than its competitors, so we’re more familiar with it, understand its workflow, and are just plan faster with it.
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Phillip Bloom even breaks down his own work with the suite in a tutorial. But that doesn’t mean you can’t grade an entire film – small or big-budgeted – with Magic Bullet.
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Its ability to grade RAW files and track images, plus its added control surface, put it in a different league than Magic Bullet. Now don’t get us wrong, DaVinci Resolve is the complete color processing and finishing tool, and if someone asked us what program they should learn first for the industry, we would probably say DaVinci Resolve. If you’ve read our overview of Red Giant’s Shooter Suite, you’ll know how much we love using the company’s programs, but the Magic Bullet Suite is by far the one we use most often.
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Seven different programs make up the suite – Looks, Colorista III, Film, Mojo, Cosmo, Denoiser II, and LUT Buddy – all for only $799. Now in version 12, the suite’s latest facelift offers fresh interfaces, improved options, and better working tools. Red Giant recently updated its Magic Bullet Suite, much to our excitement.